Category Archives: Cosplay

C95 Winter Comiket (2018)

C95 – Unusual Guest! (Winter 2018)

1 Feb , 2019,
Levin Tan
one comments

Breaking the record of all previous Winter Comikets, this year’s C95 brought in over 570,000 people over three days!!! (D1:170,000 + D2:190,000 + D3:210,000) This is a good 20,000 more than last year. I don’t know about you, but these numbers never cease to amaze me. Here at the Neo Tokyo Project, we also organise something similar in Singapore, Doujima, which is still very young and new compared to Comiket. Maybe we might one day grow to these sizes, who knows?

Anyway, a round up on circles this year: Type Moon (Fate basically, which includes FGO) continued to grow at a stunning pace and kept the top place by a large margin! THE iDOLM@STER (アイマス) also grew at an amazing pace to claim second spot, overtaking Kancolle (艦これ) which shrank a little instead and took third. Touhou (東方) is shrinking slowly along with Touken Ranbu (刀剣乱舞), but both maintaining their positions in fourth and fifth respectively since the rest of the genres below them are also shrinking. Azur Lane (アズールレーン) which I mentioned would be entering the rankings this year, has debuted (on the rankings) at 10th place.

Speaking of Azur Lane, they’re really pushing very hard. Over the last year I’ve been seeing their ads in many places on the JR lines and even video ads in the new E235 EMU trains. They didn’t have an official booth the last year in Winter Comiket, but this time Yostar came with a big one:

Azurlane booth by Yostar featuring vtuber!

Yomemi is interviewing Ayanami (on screen) at the Azur Lane Corporate Booth.

There’s even a virtual interview going on for you to be entertained while queuing! Yomemi’s “high tension” (テンション高い) personality was uplifting and likeable (although my friend wasn’t too fond of it), contrasting with Ayanami’s dandere character.

Ichijinsha (一迅社) had quite an interesting facade for their booth this year, making it look like a visit to a shrine. Could be said as Ichijinja (一神社) ww. Nekopara (ネコぱら) came back yet again for the 3rd year running, along with Tokyo 7th Sisters (looks like these two are regulars now), but a dedicated Nanoha (なのは) booth was nowhere to be found! As far as I can recall Nanoha had a corporate booth very regularly at Comiket. A little strange… let’s see whether they return this coming Winter Comiket.

Ichijinsha booth looking more like Ichijinja

Remember to ring the bell, bow twice, clap twice, and bow once again as you state your order to the lady at the counter at Ichijinsha/ja!

Another “corporate booth” (though not really) is the IOEA’s (International Otaku Expo Association) which our Doujima event is a member of. The IOEA is here to link up all otaku events around the world so please come on by the booth wherever and whenever you see one to check out similar events from all around the world!

Cosplayer in Kuppa Hime (Bowsette) costume standing beside IOEA signboard with various signatures from representatives of events around the world.

They had a cosplayer cosplaying as Kuppa Hime (or Bowsette) to promote this booth!

Close up of IOEA signboard with signatures of representatives from various conventions around the world.

We of course signed our event on this board too!

Now… you might be wondering what the title of this post was talking about. Comiket accepts applications for a circle booth from basically anyone and everyone, so it’s certainly not unthinkable, but it was still surprising to have Angela join Day 2 of C95 as a doujin booth! Angela is a very popular professional artist duo who have sung well known songs from Soukyuu no Fafna (蒼穹のファフナー) (Fafner in the Azure) and Shidonia no Kishi (シドニアの騎士) (Knights of Sidonia). They are also well known for their fun personality! What they had brought was something really unusual: A CD compilation of their 100 best MCs and an anthology of Angela related material (manga, illustrations, etc). To have them at Comiket in person manning their own booth and distributing their own unique material is really amazing and a treat to all! They even took care to bring enough that despite the long lines and hours of queuing, they only sold out near the close of the day. That meant that everyone who was in queue managed to get a copy!

Angela at C95!

Angela appears at C95! Distributing: 100 Best MCs Compilation CD & Angela Anthology

On to the more usual unusual stuff this year! It’s electronics related this time! Check it out:

Audio level meters crafted by RyoRobot Studio.

Audio level meters and 7 segment USB powered display crafted by RyoRobot Studio.

RyoRobot Studio crafts electronics for making your daily life more vibrant (that’s their motto). What’s showcased here are audio level meters (stereo too!) which jump like the EQ fancy graphics you might see on a digital player, except that these are made from segmented lights rather than display panels. The dancing lights from this booth certainly caught my attention immediately when I came to the section! There are also colourful 7 segment displays powered by USB. Nifty stuff indeed! Head over to his website to see some really nice pictures! (Though be aware it’s all in Japanese)

On to some cosplay! Still relatively fresh, from the Summer season, is Hataraku Saibou! (はたらく細胞!) (Cells at Work!) with cute depiction of cells as humans fulfilling their special roles in the human body, and even fresher, from the Autumn season, is SSSS.Gridman, whose most popular character is undoubtedly Takarada Rikka (宝多六花).

White Blood Cells cosplay

The really cute White Blood Cells (CP:もがみひなた and CP:宇佐美おむらいす)

Takarada Rikka Cosplay

Most popular character Takarada Rikka(CP:真白ゆう) from SSSS.Gridman

And so another Winter Comiket ends. With this one being the one to mark the end of the Heisei Era as well. If you didn’t know about this, it’s actually quite significant, since the Japanese hold their emperor in very high regard. Many of the doujin circles came together to create an anthology just to mark this occasion. I’ll say it in each post, Comiket has a community spirit. It’s the gathering of everyone with a huge passion in their hobbies. No buyers and sellers, only participants and volunteers, and everyone contributes to it in one way or another. This is what will continue to always make Comiket magical.

For me, in the morning raids, my team this year was very on top of things such that we had alot covered. Over the years, we’ve definitely built up strategical and tactical mastery, and I hope to enjoy the next raid even more than this one. The afternoon was relaxed as usual, moving around to browse, helping others pick up things, and just enjoying discovering new works/circles, as well as appreciating the cosplays. Not to mention that because of the ongoing improvement of Big Sight, Comiket each year is slightly different in terms of arrangement, so it’s nice to observe how the dynamics change. This year (2019), the game changes in a major way, and I’m certainly looking forward to rethink our strategies and tactics, as well as to observe its effects. Unfortunately though, I had to rush off a bit early on the last day and so once again I missed the 現実 (reality) sign. Sigh… Hopefully next (this) year!

Photo of Big Sight

The Last Comiket of the Heisei Era

C91 – The Depth of Comiket (Winter 2016)

1 Feb , 2017,
Levin Tan
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Comiket (コミケ) is “Comic” + “Market”, but having experienced a few, we felt that it definitely extends to more than that. Thinking about comics and doujinshi is just the surface, and so Haruta and I decided to plunge deeper. This is what this year’s coverage is mostly going to be about.

Firstly, let’s get the usual things out of the way. This year’s doujinshi had the usual top runners still on top: Kancolle (艦これ), Touhou Project (東方), Touken Ranbu (刀剣乱舞), iM@S, and Fate/Anything (and its spinoffs like Prisma Illya). Corporate booths had a really long queue for Gochiusa (ごちうさ), and the Grandblue Fantasy (グラブル) dakimakura (released ONLY on D2) sold out really fast. Nekopara was also present, and had cosplayers for each of the characters. Kaitou Tenshi Twin Angel (快盗天使ツインエンジェル) was promoting its next season. It’s been a long time!


Making a comeback after 6 years is Kaitou Tenshi Twin Angel!

Secondly, if you didn’t already know, Tokyo Big Sight has now expanded by putting up another “double” hall. This year had 東7 (booths) and 東8 (changing room). To take advantage of the new space, both the doujin booths and corporate booths have expanded.

Comiket is just going to keep get bigger and better…

The new hall is still plenty spacious, which means that there’s still room to grow. Needless to say, Comiket is still war. Number of counted visitors this time was 550,000! (Not counting those not in the main queue after noon or so.)  And the booth count was 35,700! The most ever!

Now, something interesting before we carry on. Before the shutters were lifted to start the day, on D3, I had the chance to personally witness one of the doujin booths having 2 of their doujinshi barred from sale because it was just too NSFW. Think about that for a moment. (You may need to have seen some R18 doujinshi to understand what I’m talking about here.) And the reaction around me as the news spread was like “え?”, “まじ?”, “もう?”, and “www”, or a mixture.

So let’s start the dive, and let us bring you first, to D3, 西1.

This is the place for non-doujinshi stuff, and there are a great many things to keep your head turning. Last year I wrote about homemade headphones, this year I’m going to show you glass pens.

Completely made of transparent glass, with various nip sizes to your liking. By Kemmy’s Labo

These behave like quills where you dip them into ink, and the surface tension holds the ink on the nip while accumulating just enough at the tip for you to write! I saw people trying it out and I’m impressed at how consistent the thickness of each stroke is.

Well, there’s not just glass pens, miniature models for your Nendoroids and other similar-sized figurines as well! Check these out! Beautifully crafted; each and every single miniature!

Perfect for Nendoroids. Check out close-ups on her Twitter!

Music lovers are not left out either. This is also the place for you to get your indie music, including niche and very niche genres like 電波ソング/萌えソング, みみかき. DJ mixes are also in. Check out this booth which caries both 電波 and Camelia’s creations! I personally love songs which are かめりあ feat. ななひら. (Camelia does 電波 as well, so he actually has works in both booths!)

Camelia (かめるかめりあ) [left] & Confetto [right] booths, which had pretty long queues at the start of the day!

D3 at 西1 will never be boring, and I’m sure there will be loads more that I can feature each year. But let’s move on a little.

Comiket is getting more and more international every year, as they reach out to other countries with blooming culture and other countries reach in to Japan. The Comiket Official Page on Facebook said that they had probably just gotten the most number of international visitors yet. And this year, as part of their International Otaku Zone, they featured Singapore.

Pictures and short paragraphs describing what otaku conventions in Singapore are like.

The Japanese have probably heard some stuff about Singapore, most likely something to do with that lion with a fish tail (and you can juuust see it in that picture in the middle), but having a zone like that at Comiket is something I’d say I’m somewhat proud to see happening.

Let me now take you outside. To the cosplay areas!

You can find cosplayers just about anywhere outdoors, even mixing with the queues for the booths as seen here!

Comiket is never complete without talking about the cosplay. From swimsuits to armour (the proportion of which swings depending on the temperature), there is a really great number of cosplayers that it makes perfect sense to chillout after hitting your popular booths (most are sold out around noon to 1pm anyway) and have a really long look around. You’ll also see endless blogs, tweets, and posts online of all the different cosplays each time Comiket comes around.

This time, we took a plunge deeper as well, and Haruta interviewed two of these cosplayers. First up, we have Shimizu Taichi (清水 泰地).

Feast your eyes on those muscles! Get more on his Twitter!

A professional body builder who’s put his muscular body to good use for his hobby, Shimizu has always loved anime and manga since young. One day it suddenly occurred to him that his body figure is similar to some of the anime and manga characters. So he decided, why not cosplay these characters? Thus he debut during Summer Comiket 2015 as the green superhero Hulk from Marvel Comics.

Since then, Shimizu has cosplayed several other characters, such as Alexander the Great from Fate/Zero, Broly from Dragon Ball Z, and his most famous, Zangief from Street Fighters. When asked what his next cosplay plan is, Shimizu said he hadn’t thought about it yet, but he’s most likely bringing it out during Summer Comiket 2017! With that, Haruta left him to put on a coat (remember it’s winter!) as he takes a break from posing as Nappa from DBZ.

Next, we have a newbie to the Comiket scene, Kuro, as he cosplays Ezio Auditore da Firenze, from Assassin’s Creed II!

Ezio Auditore da Firenze. Kuro’s a newbie, but goodie!

Although being his first time debuting at Comiket, Kuro is no stranger to cosplay, having dabbed in the hobby for around one and a half years. His first cosplay was Kotetsu, from Tiger & Bunny, in his casual everyday wear.

When asked for his reasons for starting cosplay, Kuro said that he went to a party with his upperclassmen, where everyone is a cosplayer. Due to the influence, he decided maybe he should give it a go, and since then he hasn’t stopped yet.

Kuro also has a passion for swords, and thus likes cosplaying characters carrying a katana. Kuro has cosplayed several Hakuoki characters as such, and more recently, Mikazuki Munechika from Touken Ranbu. Kuro plans to challenge a different type of characters by cosplaying someone from Idolish 7, though which one specifically, he hasn’t decided yet. When asked how long does he see himself continuing the hobby, Kuro said the future is still uncertain now, so for the time being he’s going to try for another two to three years, then take a look again from there on.

Every cosplayer has a story, and realising that (while looking at the numbers), you can start to see why this post is a deeper dive. But of course, we can’t carry that many stories (nor pictures) in one post, so head on over to our Facebook page for a larger album of cosplayers!

Comiket is much more than just comics and commercial booth merchandise (limited edition or not!). I’d like to reiterate what I’ve said before, and this is the view of the organising committee: Everybody at Comiket is a participant. There are no sellers, no buyers.

You see, Comiket is made of its people. Coming together, sharing such a huge passion for whatever they have (really whatever as you would have noticed by now), every single person there adds to how awesome this event is, and everyone is there to enjoy themselves. Even the rush for limited edition stuff are all done very nicely, very “politely” if I may say. And let us not forget the volunteers who work tirelessly for 3 days straight to guide the crowds. Their crowd control and systems they put in place are absolutely amazing (this one you can only understand once you personally see it).

Attending Comiket is kinda magical, and always leaves me with a sense of awe, sense of exhilaration, and a sense of fulfilment in the end. I’m sure everyone feels this magic too. Which is why, never failing, there will always be this at the end of the 3 days:

Sign says: <- Reality ->

Print Transfers onto EVA

23 Oct , 2014,
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Update: Due to bandwidth issues, this tutorial has been replicated on Facebook.  You can access the complete tutorial here.

Recently, we discovered a simple method to transfer printed images onto EVA and we’re pretty excited since it makes replicating filigree and complex patterns so much easier. If you’d like to try your hand at it too, here’s a simple tutorial detailing the steps we took.

What you’ll need:

1. Some latex glue and white acrylic paint

2. EVA foam

3. Paper (110 gsm or better stock)

4. A printer (we used a laser printer)

5. Acrylic Gel Medium

6. Water and dish-washing sponge

7. Paper towels

Step 1:

Mix Latex glue and White acrylic paint together. Prime your EVA surface with a single layer this mixture. This is to prepare it for the transfer process.

Let it dry completely.

Step 2:

Create the pattern or graphic you’d like to transfer onto EVA in graphic software.

Don’t forget to flip the image horizontally, because you’re printing the mirror image of this file onto the foam later.

Print the file out on reasonably good quality paper. Also, make sure you’re using a toner based printer (laser printer) rather than an inkjet as ink might not transfer well.

Step 3:

Coat the primed surface of the EVA foam with Acrylic Gel Medium. Gel Medium is what you’ll use to create the transfer, and you can purchase it at most art supply stores (such as Art Friend and Straits Art Co.).

Let the gel set for a little while, and apply your print out to the gel covered foam. You are essentially ‘pasting’ the print out to the foam with the acrylic gel.

Be sure to align your printed image properly, because this is a one-time process. Peeling off the printed image will ruin the process and you’ll have to start over.

Once you’re done, leave the project to dry for a day or so.

Step 4:

Immerse the foam with the print transfer in water. Soak it until the paper begins to fray and dissolve (usually about 15 minutes) and gently rub it off.

This part of the process is the most time consuming, and requires both patience and a steady hand.

Step 5:

Give the surface of the foam a good rinse after you’ve peeled off all the paper to get rid of stubborn fibers.

Pat dry the surface with paper towels, and leave to air dry.

Finally, seal the surface with acrylic lacquer and you’re all set for further crafting and embellishments.

Strife: Crimson’s MidKnight Cosplay

3 Apr , 2014,

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When we were invited to help S2 Games bring characters from their second generation MOBA Strife to life through our cosplay,  we were thrilled.

We’d read the Strife comic preview, and while Angelus had gravitated towards Minerva, I’d fallen instantly in love with MidKnight.

The High Marshall from Tempra had made a pretty big impression. Here was a complex character with a villainous streak, and in some really sweet armor, no less. The only catch – he wasn’t a playable character in the Beta yet, so there were no released game assets we could use as a reference.

With the character designer’s blessings though, we got the greenlight to go ahead, using a combination of the comic art, some sketches, and a few concept renders as the inspiration.

MidKnight, as featured on the back page of the Strife preview comic.

MidKnight, as featured on the back page of the Strife preview comic.

Another image of MidKnight, this time from the second chapter of the comic.

Another image of MidKnight, this time from the second chapter of the comic.

With so many references to choose from, we decided that we would aggregate the best elements of each of them, and started working on crafting armor pieces out of foam.

Foam building might seem pretty arcane at first, but a lot of it is really about visualizing, drawing and cutting out the right basic shapes.

Creating curves, details and textures on armor is probably our favorite part. Foam is an incredibly versatile medium, and because it’s so pliable, is capable of forming some really interesting shapes.

We’ll break down the shapes into temporary paper patterns, and replicate them on foam with a highlighter or marker. We then cut them out, and paste them together with contact glue.

The gauntlets were built from EVA foam of varying thickness and a pair of satin gloves.

The gauntlets were built from EVA foam of varying thickness and a pair of satin gloves.

Gauntlets AND bracers. Did you know MidKnight's design is asymmetrical? He wears a different bracer on his other arm. XD

Gauntlets and bracers. Did you know MidKnight’s design is asymmetrical? He wears a different bracer on his other arm. XD

Adding elastic straps to help secure armor pieces in place is a pretty big part too.

Adding elastic straps to help secure armor pieces in place is a pretty big part too.

Creating the individual pieces took the better part of two weeks. Here’s a look at some unassembled armor pieces, placed side by side for comparison.

Various armor pieces. Only the chest piece is painted for now, and even then with only one base layer.

Various armor pieces. Only the chest piece is painted for now, and even then with only one base layer.

Pauldrons for the costume. One's actually longer and curvier than the other.

Pauldrons for the costume. One’s actually longer and curvier than the other.

To simulate MidKnight's eye glow, we incorporated LEDs into the helmet.

To simulate MidKnight’s eye glow, we incorporated LEDs into the helmet.

And here’s how it looks with a proper paint job and embellishments.

Like Minerva, MidKnight is also a pole arm user. We designed his weapon in three parts, so we could dismantle it for easier shipping.

MidKnight's weapon, also made out of foam and rubber.

MidKnight’s weapon, also made out of foam and rubber.

MidKnight’s costume also entails additional cloth portions, such as a tabard, cloak and costume base. Because he’s essentially a medieval knight, we felt that he should wear chain mail beneath the plate armor, and simulated the effect with some mesh cloth.

Mesh fabric - it's a godsend for armored cosplayers who don't really want to forge links the old fashioned way.

Mesh fabric – it’s a godsend for armored cosplayers who don’t really want to forge links the old fashioned way.

We also utilized some really drape-y fabrics for the cloak so we could convey a sense of majesty and volume when the cloak billows.

Here's the costume in action during our studio preview.

Here’s the costume in action during our studio preview.

What do you think? MidKnight will be walking the con floor on Saturday, so if you’d like to trade coscards, be sure to come say ‘Hi!’.

We’ll be at PAX East next weekend to guest-judge the cosplay competition and promote for S2 Games in room 159, so be sure to look for us there too!

More production images of this costume and our other cosplays can be found at:

To register for the S2 Games Open Cosplay Contest, click on the link here

Crafting a Shield

28 Mar , 2014,
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With Diablo being one of our favorite series, we were really excited about trying our hands at building something related to the new Crusader class. So when Vaeflare, who also featured our Demon Hunters awhile back put up some incredible visuals by Hungarian digital painter István Dányi, we were sold.

István Dányi's crusader, which was featured on the Blizzard site, became the inspiration for our shield project.

István Dányi’s awesome crusader art, which was featured on the Blizzard site.

This amazing piece, titled ‘Crusader – Unbreakable Warrior’ and the shield that the righteous knight toted soon became the inspiration for Crimson’s Crusader shield, which he lugged to the Diablo III: Reaper of Souls launch on Tuesday.

What you’ll need:

1. A large sheet of PP board (also known as corrugated plastic board)

2. EVA foam rolls

3. Leather belts (for strapping)

4. Drawing implements e.g. markers and tracing paper.

5. Cutting tools (usually a box cutter and sharp nosed scissors) and contact glue


Step 1:

Make sure you’ve got a good idea for the shape and design of your shield. First, draw the base shape on a piece of tracing paper, followed by any possible adornments on the shield onto a separate piece. You will need these templates for later.

Replicate the base shape of the shield on a piece of PP board. Cut it out using a box cutter.

Make sure you’re cutting it along, rather than against the grain.

Locate the middle of the shield shape, and crease it in half down the middle. This ensure that your shield is capable of bending and conforming to shape later on.

Finally, cut slits into the PP board approximate to where you intend to mount the shield straps. Make sure you cut three pairs of slits!

The PP board base, after folding and with slits cut from the base form.

The PP board base, after folding and with slits cut from the base form.

Most cosplayers don’t often realize that you don’t just have a pair of straps affixing the shield to your forearm, but also an additional strap that functions as a handle, so you can hold onto your shield firmly and to keep it in place while fighting. It’s incredibly important, especially if you want your shield to be stage ready!

Step 2:

Now, it’s time to incorporate the straps into your shield. Thread the leather belts (Daiso belts are okay) through the slits.


Make sure the belts loop through the shield like so. The buckle of the belt should be on the lower of the two slits.

Make sure to give it enough allowance so the strap can fit snugly around your forearm. Be sure to leave enough space for any bracers or gauntlets that you might also be wearing with the prop.

Here's how it looks like on the side that's going to be the back of your shield.

Here’s how it looks like on the side that’s going to be the back of your shield.

Trim off any excess lengths from the belts after.

Step 3:

Cut out a large enough piece of foam to cover the front of the shield.

Apply about 1-inch (approx. 2 cm) of contact glue all along the edges of the PP board, and also on the foam cutout.

With the PP board held slightly bent along the middle crease to create an arch, start pasting the foam down. Once the glue is dried, the shield will retain a slightly curved shape.

The thickness of the EVA foam and it's inherent rate of curving will help your shield retain it's shape once it's properly glued on. How cool is that?

The thickness of the EVA foam and it’s inherent tensity will help your shield retain it’s shape once it’s properly glued on. How cool is that?

Cut out any adornments and filigree you may have intended to add to your shield design, and paste them on using contact glue. We also added paper fasteners to create ‘rivets.

We'll normally also duplicate the artwork onto the shield base, so we have handy guides for where to paste individual pieces.

We’ll normally also duplicate the artwork onto the shield base, so we have handy guides for where to paste individual pieces.

Start creating shapes out of foam and pasting them on. You can vary the thickness of the EVA foam you use to create differentiation and add variety to your design.


Step 4:

When all the elements of the shield are pasted down, it’s time to prime and paint!

Three coats of PVA should be sufficient.  If you'd like to find out more about priming armor and props, check out this tutorial.

Waiting for glue and paint to dry is always the most boring part. XD
If you’d like to find out more about priming armor and props, check out this tutorial.

We usually coat our props with three layers of PVA. If you expect your shield to see a lot of stage use, consider using five.

And done! A lot of prop-making’s really about the finish and the paintwork. ^^;;

Finally, give it a nice, shiny coat of paint and weathering, and you’re done!

What do you think of our shield tutorial? Be sure to leave us a comment here or on Facebook!

Strife: Angelus’s Minerva Cosplay

22 Mar , 2014,
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We’ve been working on new costumes non-stop this year, and two of our most fun and challenging ones are from American developer S2 Games latest 2nd-gen MOBA title, Strife.

The game recently entered Closed Beta, and boasts an array of impressive character designs reflective of it’s meta world – five different planes with varying thematics ranging from the medieval to the technologically advanced.

We were invited to help S2 Games bring some of these characters to life when we won the cosplay competition at Campus Game Fest last year, and these costumes will be making an appearance at PAX East in Boston this April where we’ll be guest-judging the cosplay competition and also participating in a variety of promotional events and activities.

Here’s a quick look at what we’ve done for one of the game’s iconic characters – a psychic assassin from the plane of Vorbis named Minerva.

Minerva design by S2 Games.

Minerva design by S2 Games.

The design for the character meant that we had to get creative with not just body paint, but also a different variety of materials and fabrics. We’d also have to utilize LEDs to get the effects with her weapon prop just right.

Because we’re most experienced with foam, we decided to tackle the armor pieces and Minerva’s tail first.


The tail was segmented out of individually cut foam triangles.

We planned for the tail to be reticulated, so it can move freely and naturally while Angelus moved. The effect was accomplished by having each individual segment slide into each other, and securing with velcro.


Bracers, Pauldrons, and other assorted portions of the armor. We’ve also painted the tail segments too!

Minerva doesn’t don as much armor as we are normally accustomed to, but that’s also a good thing. It means we can create a more mobile and flexible costume, so Angelus can push her poses.


A closer look at the headdress.

Like Kerrigan’s wig, Minerva’s hair is a mass of organic tentacles. We decided that we’d build a headdress out of foam tubes layered over one another, joined to a knit mesh that’s normally used for sewing wig wefts.

As for Minerva’s body suit and jacket, they were built as separate pieces. The jacket was crafted from pleather, with additional panels to create the cape-like structure behind her.


We thought the inspiration for Minerva was a little bit like a manta ray…


With additional colored panels added.

Then there was Minerva’s polearm. It was made to be detachable so we could ship it over to PAX in a supply case, and LEDs were inserted to give it a cyan glow.


The base was also crafted from foam to keep it lightweight. XD

Then there’s also the body paint, which we think is probably the hardest part. ^^;;

Getting a finish that doesn’t run in a convention (which requires a lot of dabbing and powdering down) is hard work. The make-up alone takes about an hour! 😮


Using an airbrush to apply body paint is tricky, but it creates a more even tone compared to hand brushing.


Here’s a close-up. Getting the right shade also requires blending of multiple different pigments. 😮

And here’s the completed ensemble from our studio preview.

Angelus cosplaying as Minerva in our studio preview.

Angelus’s Minerva cosplay.

Don’t forget to leave a comment so we know what you think of Angelus’s costume.

We’ll also be blogging about our work on Crimson’s MidKnight cosplay, an armored warrior who made his debut in the Strife comic book next week!

More production images of this costume and our other cosplays can be found at:

To register for the S2 Games Open Cosplay Contest, click on the link here

Quick and Easy Tattoo Sleeves

9 Mar , 2014,
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If you’ve got a hankering to cosplay a character with tats, but don’t want to go with body paint or more painfully, the real thing, we’ve got some news for you.

Angelus was working on some new costumes recently, and chanced upon a pretty quick and easy method for making some fairly credible tattoos out of, get this, old body stockings and permanent markers.

Executive Assistant Iris - Just one of our geeky part-time warrior's newer cosplay projects.

Executive Assistant Iris – Just one of our geeky part-time warrior’s newer cosplay projects.

So if you’re like her and have some tattooed characters planned for an upcoming con, or just want to sport some funky custom tattoos in general, here’s a method you can try:

What you’ll need:

1. Skin-colored stocking material or body stocking (purchasable online)

2. A printout of the artwork/tattoo you want to create

3. Permanent markers

4. A body form or mannequin

5. Hair dryer to accelerate drying of the ink


Step 1:

Make sure you have a clear printout of the tattoo you want to replicate for your cosplay. Affix it to your body form so it doesn’t shift or move from where it’s supposed to be.

In this case, we'll be using Shanoa's glyph as a reference. :3

In this case, we’ll be using the glyph on Shanoa’s back as a reference. :3

Step 2:

Stretch your stocking over the body form. Make sure the body form conforms to your relative body size. Be sure to pull it taut so there are no unruly bunches or creases.

Make sure you pull the body stocking taut.

Make sure you pull the body stocking taut.

Make sure you position the stocking over the image, because you’ll be tracing over the image next.

Here's how it looks like.

Here’s how it looks like when you’ve wrestled the body stocking into place.

Step 3:

Using the printout as a guide, draw out the tattoo onto the stocking with a permanent marker. We’ve discovered that both Copic markers and Zebra pens are great for this.

Color in all the areas carefully.

Color in all the areas carefully.

Go over the edges of the artwork first, and then color in the insides. Don’t worry about smears or excessive ink seepage, because the paper printout will absorb most of that.

And we're almost done...

And we’re almost done…

Step 4:

Once you’re done, you can either leave the freshly tattooed stocking to air dry, or speed up the drying process with a hair dryer.

Carefully remove the stocking from the body form, and it’s ready to wear!

How's that for a temporary tattoo? It photographs pretty well too!

How’s that for a temporary tattoo? It photographs pretty well too!

Don’t forget to let Angelus know if you think the tutorial is useful by leaving a comment!

Follow up to The Otaku House Fiasco

6 Dec , 2013,
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We were contacted by the Otaku House Marketing team following our article about a brewing PR incident after several posts were made on their Facebook page. The posts were found to be disparaging and deemed offensive by the cosplay community.

The Otaku House Marketing team drew our attention to a statement they had issued on Facebook (refer to attached image, also replicated here on their blog) in which they “CONDEMN all those rude posts and comments made on cosplayers” (this condemnation was also reiterated in their email to us).

Source: Otaku House Facebook Page. Otaku House issued this statement at around 12 noon Singapore time.

Source: Otaku House Facebook Page. Otaku House issued this statement at around 12 noon Singapore time.

From Otaku House’s statement, we gathered that they were the victims of hacking, possibly due to a recent password leak. They claimed the attack could have been the handiwork of a disgruntled contestant, and also declared that it couldn’t be the work of a rogue admin or any other member of their team.

The offending posts have since been removed.

Still, it’s puzzling as to how said hacker might have been so well-versed in cosplay to have been able to rile up the community by pushing all the right buttons, and we’re sure many of our readers and followers in the cosplay community are curious too.

We have since replied Otaku House’s email, seeking a credible quote from their marketing director or perhaps a senior executive who might choose to officially make a statement and come on the record.

We’d like to imagine that a police report should have been made, and investigations hopefully underway. After all, pop-culture marketing is serious business. If this were a malicious attack lashing out at cosplayers, then the pages of any cosplay related organization or even a cosplayer’s personal page would not be safe. 😮

The Otaku House Fiasco

5 Dec , 2013,
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I’m always heartened when corporations decide to embrace cosplay and pop-culture.

With corporate backing, cosplay has evolved from mere hobby into a viable career for those who have managed to distinguish themselves through their craft.

Some companies have done this well, engaging cosplayers as ambassadors and endorsers for their products and services, allowing them to tap a previously untapped niche in their marketing efforts.

Sadly, there has also been an alarming trend in companies jumping aboard the cosplay bandwagon, a bandwagon that, if poorly handled, could easily crash and burn.

Enter the Otaku House Fiasco

At about 3 am today, the Facebook page of Singapore-based costume retailer Otaku House shared an image link disparaging a plus-sized Chun Li cosplayer.

This was picked up by Lyeric, a respected cosplayer, costume maker and CrunchyRoll Ambassador from America, and disappointment began to spread.

Source: Image replicated from Lyeric's cosplay page.

Source: Image replicated from Lyeric’s cosplay page.

Shortly after, in a move reminiscent of Amy’s Baking Company, Otaku House issued an apology in poorly worded English, claiming that they had been hacked.

Source: Otaku House Facebook page.

Source: Otaku House Facebook page.

They made no retraction for their initial post, and insisted in a later comment that it was a management policy to review the standards of their online Otaku House Cosplay Idol competition (see attached image).

Source: Otaku House Facebook page.

Source: Otaku House Facebook page.

As of 9 am this morning, the company has yet to recant it’s stance or issue another formal declaration. It seemed like it was business as usual, with routine posts (likely scheduled) of Cosplay Idol finalists appearing on Otaku House’s Newsfeed.

Otaku House isn’t the first company to commit a PR faux pas that could alienate it’s target market.

Between 2007 and 2008, Odex was embroiled in a PR disaster that anime fans in Singapore have lovingly termed Xedo Saga. Prior to that, Singapore Cosplay Club, through SCC Square, had attempted to trademark the word ‘cosplay’ in a classic case that’s now considered textbook material, resulting in unhappiness both locally and abroad. Traces of the debacle can still be found on SGCafe.

Otaku House is a a retailer of entry-level cosplay costumes, weapon replicas and anime-related knick knacks. They claim to be, according to their website, “the leading retail chain selling cosplay costumes in Singapore, offering the best priced and quality cosplay costumes in town, fusing Japanese toys, anime collectibles, cosplay products and other nonsensical gifts under one roof. We have a complete range of gift choices for all occasions.”

Marketing language notwithstanding, Otaku House has indeed gained prominence in the past three years, having implemented an online Cosplay Idol competition which has not only broadened their reach, but also carved a fair niche in the cosplay scene.

The Cosplay Idol competition is an online competition where cosplayers submit their photographs. These photographs are then shared through Otaku House’s social media channels and website, and voted on by the public, who must ‘Like’ Otaku House’s social media channels to do so.

Numbers on Otaku House’s social media channels have ramped up exponentially since it first ran this annual contest. Now, Otaku House’s Facebook page alone boasts more than 500,000 followers comprising both cosplayers and their fans.

It’s a healthy number, and all it takes is for a simple lapse of judgement and poor management decisions to send all the hard-won goodwill crashing down.


From an academic standpoint, this case proves an excellent study in the application of public relations and marketing strategies to a niche audience.

In a cosplayer and event organizer’s perspective, it’s also a cautionary tale for the future.

It’s undeniable that cosplay is a fundamentally visual hobby, but standards and valuation should be placed entirely in the hands of cosplayers and the community, not defined by the management of a company that has, heretofore, announced no particular criteria for the competition.

This sudden change, which comes after several years and a sizable milestone is nothing if not alarming. Already, cosplayers are questioning the motives of Otaku House and their competition in the first place, with some even wondering if cosplayers are just statistics or numbers to pad their page ‘Like’s. The statement has not only been deemed generally offensive, but also discriminatory when they have, until this morning, included finalists who were males cross-dressing as female characters.

This also exacerbates a perennial problem in online cosplay competitions, which are little more than popularity contests reliant more on face value, the number of friends you can mobilize and the size of your wallet, as opposed to the nature of cosplay as a performance art and a craft.

We will be certain to watch the developments with interest, and posting our observations as it unfolds.

GE3: Gaming Cosplay Colosseum

28 Nov , 2013,
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GE3 Cosplay Competition poster6_sm


Celebrate cosplay at GE3 as we bring you an epic competition featuring attractive CASH and computer peripherals prizes!



Grand Champion: $1,000 in CASH and Gaming Peripherals Hamper
st Runner Up: $750 in CASH and Gaming Peripherals Hamper
nd Runner Up: $500 in CASH and Gaming Peripherals Hamper
Merit Prize (1 prize awarded): $250 in CASH


This contest is open to any cosplayer(s) who visit GE3, regardless of nationality or country of origin. GE3 staff and their immediate family members are not eligible to participate in this competition. Pre-registration for this competition is required (see below). As there are only a limited number of competitor slots available, do consider registering early to avoid disappointment.


  1. You may choose to enter as either a Solo Entry or Team Entry. Each team is limited to a maximum of 3 participants. If you choose to enter as a team, performing members must cosplay from the same title.
  2. Characters may be from any game on the PC, Console (Playstation, Xbox, Wii), hand-held game device or mobile device, from anime, comic books, manga or movies. Characters from games and from partner titles (e.g. Blizzard titles and DotA 2) will receive bonus points.
  3. You must provide the title of the game, the name of the character(s) and a reasonably good quality, full length image of the character(s) you intend to cosplay. The image(s) will be used as a reference image during judging.
  4.  You may choose to do anything you wish on stage, from putting on a skit, to singing and dancing, or simply through doing a series of poses and actions.
  5. You are given between 1 minute to 5 minutes to do so. (The depth of the stage is approximately 2.5 m. Do keep this in mind when planning your performance).
  6. You may (and are encouraged to) provide an audio track during this performance.
  7. The usage of confetti, fire effects, party poppers, pyrotechnics, or liquids on stage are strictly NOT allowed.
  8. GE3 reserves the right to use any images, video clips, audio clips and footage of any participant’s costume and performance with impunity, and retains these rights before, during and after the competition.
  9. Any infringement or failure to comply with the rules and regulations will result in immediate disqualification from the competition.


Costume accuracy and craftsmanship: 50%

Character portrayal: 25%

Performance: 25%

Bonus Points: 5% for game characters, and additional 5% for characters from featured games. i.e. Battlefield series, Counter Strike, Blizzard titles, DotA 2, Pokemon, Street Fighter.


You can register by clicking on the following link: [GE3 Gaming Cosplay Colosseum Registration]

The Deadline for Registration is 22 December 2013. If you are selected, you will receive email confirmation on 23 December 2013. Do check your emails regularly!


Note: The competition takes place on Saturday, 28th December 2013

  • Contestants should report to the D’Marquee from 12 noon onwards with your costume and valid proof of identification for a briefing. Please try to be punctual.
  • Judging for this competition takes place in two phases – pre-judging and performance phase.
  • You should be ready by 1 pm for pre-judging. Pre-judging will take place at the mini-stage and will factor into your Costume Accuracy and Craftsmanship.
  • The performance phase of the competition will begin promptly at 2.30 pm at the D’Marquee main stage. You will be ushered to the main stage by our staff.
  • During the performance phase, all competitors will be given up to a maximum of 5 minutes of stage time to impress the judges (see above).
  • Results will be tabulated at the end of the competition, and prizes will be presented during the same time slot.
  • All contestants will be invited on stage for the curtain call and prize giving.


The organizers of GE3 reserve the right to change the rules and regulations of this competition at any time.